‘Resistance Is Us’: An Intergenerational Visual Conversation Opens at the Absa Gallery

Resistance is us: an intergenerational visual conversation, curated by Aysha Waja and Simon Radebe, has opened at the Absa Art Gallery and will run until 24 January 2020.

Image supplied by Absa Gallery

The title of the exhibition was inspired by the song Glory by rapper Common and singer John Legend, recorded for the American historical drama film Selma that recounts the voting rights marches that lead to President Lyndon Johnson signing the Voting Rights Act of 1965.

2019 marks exactly 25 years of democracy in South Africa, however, Waja points out that our youth are battling legacy issues. “Social injustice, corruption and abuse of power, coupled with the widening income gap, limited job opportunities, and a weak economy have created a new ‘enemy of the people’, says Waja. “The younger artists are exposed to vastly different opportunities than their predecessors, but these are still shaped by our history of apartheid,” she says.

Born between the 1940s and 1960s, the first generation of artists created art during the height of the apartheid era, creating imagery that later became known during the 1980s as’ resistance art’. The second generation of artists were born between the 1980s and 2000s during the transitional phase in the history of South Africa. Those born after 1994 are known as Born-Frees.

The exhibition asks important questions – what type of neo-resistance images are the first generation of resistance artists creating today, and how do these images compare with the type of aesthetics the current generation is producing? 

Image supplied by Absa Gallery

“Hosting an exhibition of this nature speaks to Absa’s commitment to being brave, passionate and ready. We’re brave enough to ask the important questions and ready to spark much-needed dialogue,” says Thabo Seshoka, Associate Art Curator at Absa Gallery. “Our big purpose is to provide a valuable platform for a younger generation of artists and give them a working space to nurture their natural talent. To this end, the annual Absa L’Atelier art competition gives aspiring African artists a real launchpad for their careers, and helps bring their purpose to life, supporting and driving visual arts across the continent.”

The Gallery is located in the Absa headquarters in central Johannesburg, supplying artists with a bright, open-air space to display their work. As proud owners of one of the world’s largest galleries of commercial art, up-and-coming designers showcase place their work alongside some of Absa’s 16,00 artworks. Located in Absa Towers North, the Gallery is open from Monday to Friday, from 08:00 to 16:00, and visitors need to bring identification for entry into exhibitions – free of charge.


Between 10 and 5