Jemma Kahn’s brainchild ‘We Didn’t Come to Hell for the Croissants’ is a titillating and devilish theatre show told in the Japanese style of Kamishibai.
People: Lindiwe Matshikiza
A group of 15 South African artists with a name like the JHB Massive Supercrew are bound to collaborate on some remarkable ventures.
This week’s art openings and events all coincidently focus on the artistic process, and include a multidisciplinary theatre collaboration, a litho show that’s about playing with scrap ink, and a sound and video installation reflecting on just this. Go get your art on.